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The 250th Issue of PN Review

In November this journal will reach the milestone of 250 issues, and in order to celebrate this we will be releasing one piece of poetry, criticism or journalism each week from the 46-year back catalogue which continues to exemplify PN Review's conviction that poetry, at its best, is enactive, and what it does matters more [...]

Four Poems by Ted Hughes

Hughes binds together the typically disparate images of youthful vandalism, pleasant rural landscapes and the deafening stink of the big city with the opening and closing motif of thrown stones, that playful, joking violence. This poem is taken from PN Review 5, Volume 5 Number 1, October - December 1978. 'Under the world's wild rims. [...]

Dirge for Four Mexican Jumping Beans by Margaret Newlin

Surrealism can bring such joy into the sound and sheer performance of language that at PN Review we have included exceptional examples of it since the journal's very inception, what follows is just one example of the exuberance with which surrealist imagery can imbue words. This poem is taken from Poetry Nation 6 Number 6, 1976. What [...]

PN Review Reaches its Landmark 250th Edition

This week’s blog is a PN Review extravaganza! Celebrating the 250th issue of the magazine, and the brand-new PN Review archive that just launched at the Poetry Archive website.   As founder and editor Michael Schmidt says, ‘The life expectancy of poetry magazines is often a butterfly’s span. Few reach ten issues, fewer still a [...]

Meeting the Comet by Fleur Adcock

This poem is taken from PN Review 59, Volume 14 Number 3, January - February 1988. Before 1 She'll never be able to play the piano - well, not properly. She'll never be able to play the recorder, even, at school, when she goes: it has so many little holes . . . We'll have [...]

Shelley and the Old and New Atheism

By Robert Griffiths One question is brought up often throughout the history of PN Review, and that is the role of the poet when it comes to philosophy. Another facet of this question is whether or not the poet should court "reason", or if it is even possible to do so; this article from 2011 [...]

The Other Voice: Octavio Paz by David Holloway

This extract is taken from PN Review 19, Volume 7 Number 5, May - June 1981. Octavio Paz THEIRS was a sort of religious atheism, a religious rebellion against religion. It was more a search for an Erotica than for a new Poetics. Almost all identified themselves with Camus' words from those second postwar days: [...]

On Stupidity by Robert Musil (translated from the German)

This is the first English translation of a lecture delivered by Robert Musil, the Austrian novelist, in Vienna in March 1937. The lecture opens with a quotation from his great unfinished novel, The Man Without Qualities, and various themes from that work are discernible here. Indeed, one recalls that it is said of the book's [...]

Conjurors by Julian Orde Abercrombie

Julian Orde Abercrombie relased very few poems in her lifetime, what follows is one of the few extant examples of her incredible talent,released two years after her death: a poem which confronts death even as it sings in the beauty of nature, watching the conjuring of life from "hairy grains" and chrysali, and then the [...]

Left Hand and Writing Hand by Anna Adams

In this article from 1984, Anna Adams explores the link between gross brain structure and creativity, taking some time to evaluate her own education in the context of the idea of the left and right brain This article is taken from PN Review 38, Volume 10 Number 6, May - June 1984. I was walking [...]

The Aquatint by Peter Scupham

Aquatint is a process by which an engraving is made to look like a watercolour, with no harsh lines, instead areas of tone. This is achieved using nitric acid, and as such the process could be described (if you were feeling especially poetic, as we so often are here at PN Review) as a soft [...]

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